I realized I did this installation and performance last summer and posted it before I did it, but never followed up with what actually happened.

Migrant’s Lament: Sewing Politics into Geography, a site-specific installation and performance (30’ by 24’) in the Ex Casserma Monte Rita (military barracks) for the international Biennale Arte Dolomite, is a meditation on the increasing number of border walls throughout the world. Over forty border walls have been constructed in the wake of 9/11 and the Arab Spring. Record numbers of (im)migrants are in movement in the U.S., the E.U., the Middle East, and North Africa, challenging the limits of our global world’s hospitality and compassion.

Just found out the Ackland Museum of Art in Chapel Hill has my work up in the company of Jennifer Holzer, Guerilla Girls, Helen Frankenthaler, Anna, Gaskell, Kara Elizabeth Walker, and Nan Goldin.
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