Susan Harbage Page

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Excited to be a part of this exhibition of self-portraits made by an international group of artists during covid. Here is my work Trasloco No. 15.

25 novembre 2021 alle ore 16,30

Featuring Work from International Artists During the Covid Pandemic

Biblioteca Nazionale Centrale di Roma

Viale Castro Pretorio, 105

00185 Roma

Tel +39 06 4989396

Interverrà:

Stefano Campagnolo, direttore generale della Biblioteca Nazionale Centrale

Eleonora Cardinale,  responsabile dell’Ufficio Archivi e Biblioteche Letterarie Contemporanee e curatrice scientifica del Museo Letterario Spazi900

Cosetta Mastragostino e Mary Angela Schroth, ideatrici del pr

I pulled six images together for the Women's Visual Artist Database curated by the Windmill Art Power plant. So will post them one a day. This is the last one - No. 6 of 6.

Crossing Over: A Floating Intervention, from the U.S. and Mexico, underneath the Gateway International Bridge between Brownsville, Texas and Matamoros, Mexico, U.S.-Mexico Border Project (2007-present), Susan Harbage Page, 2009, Inner tubes, Rope, Breath, Community Members from the U.S.

I pulled six images together for the Women's Visual Artist Database curated by the Windmill Art Power plant. So will post them one a day. This is No. 5 of 6. 

My Gold-Leafed Passport

Susan Harbage Page

2018

Gold-Leaf, Susan Harbage Page’s U.S. Passport

The work is self-reflective in its transformation of my official U.S. passport containing all of my personal data and a photographic portrait of me.

I pulled six images together for the Women's Visual Artist Database curated by the Windmill Art Power plant. So will post them one a day. This is No. 4 of 6. The distorted and often scratchy sounds of "erasing" ask the audience to question their relationships to territories, borders, power and exclusion, and the binary logic behind social and gendered boundaries.

I pulled six images together for the Women's Visual Artist Database curated by the Windmill Art Power plant. So will post them one a day. This is No. 3 of 6. 

The Map Is Not The Territory: Bodies, Borders, and Geographies Performance, University of North Carolina at Chapel Hill part of the U.S.-Mexico Border Project 2007-Present

Susan Harbage Page

2017

Maps, Thread, Mittens, Tape, Rubber Ice Shoes, Plastic Container, Spoon, Banana, Body

And a few more from the performance.....

I pulled six images together for the Women's Visual Artist Database curated by the Windmill Art Power plant. So will post them one a day. This is No. 2 of 6. In this photo is Jocelyn Casanova who came across our southern border as a small child. She is looking at the objects left behind by individuals crossing our southern border.

I pulled six images together for the Women's Visual Artist Database curated by the Windmill Art Power plant. So will post them one a day. The database will be up soon.

https://www.windmillart.it/wp/en/home-en/

1.

So proud of my former Student Mansi Shah and the work she is doing with Classical Music and Statistics.