Objects from the Borderlands: The U.S.–Mexico Anti-Archive

For  ten years I have documented and collected objects from the U.S.–Mexico Border, creating an “Anti-Archive” that challenges who is worthy of documentation, attention, and remembrance. My work on the border—a geopolitical flash point in which contested bodies (race), contested statuses (refugee vs. “illegal”), and contested histories are bound together—is a witnessing that serves its purpose only if others witness it in turn. The work serves as  source material for scholars and citizens to engage and interpret. The work functions as a sort of reliquary, with photographs accompanied by clothing and objects found on the border.

            In 2007 I began making yearly trips/pilgrimages to photograph objects left behind by undocumented migrants crossing the U.S–Mexico border between Matamoros, Mexico, and Brownsville, Texas, and west to Laredo and Eagle Pass, Texas. As Gloria Anzaldua says in her groundbreaking book Borderlands La Frontera: The New Mestiza, “The U.S.–Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the life blood of two worlds merging to form a third country—a border culture” (p. 25). This Border Culture and the space in-between is central to this project, which takes an ever-evolving imagined space and concretizes it as a collection of specific objects, first as they are found in the landscape, then as they are archived, and, finally, as they are united in exhibitions. This work creates a narrative of memory that stands as a corrective and a challenge to the dominant histories housed in state-sanctioned archives.

 Border Fence near Brownsville, Texas, 2015


Plastic boat found of the north bank of the Rio Grande/Rio Bravo River 
used to cross into the U.S. near Brownsville, Texas and Matamoros, Mexico, 2015


Border Wall from the viewpoint of someone
about to cross into the U.S. near Hidalgo, Texas, 2014

Surveillance Cameras near Falfurrias, Texas checkpoint (about
100 miles north of Brownsville, Texas and the border,) 2014

Border Fence near Hope Park, Brownsville, Texas, 2015


Riverbank Near Brownsville, Texas, 2014



Campsite Near McAllen, Texas, 2011



Belongings (Pills, Blue Shoestrings, Bible, 
Goggles, Toothpaste, Socks, Red Shirt)
Hidalgo, Texas, 2013



Girl's Shoes (Pink Love Shoes), 
Near Brownsville, Texas, 2013



Glove, Toothbrushes and Orange, Plastic String,
Hidalgo, Texas, 2013



Bullets, Near McAllen, Texas, 2010



 Nest (Hiding Place), Laredo, Texas, 2011



Khaki Pants, Brownsville, Texas, 2010



Cross, Laredo, Texas, 2011


Clothes and Wall, Hidalgo, Texas, 2013



Yellow Toothbrush, Anti- Archive 
Object No. 15, Brownsville, Texas, Found 2008



Red Bra, Anti-Archive 
Object No. 8, Brownsville, Texas, Found 2008



Comb with Scratched A, Anti-Archive 
Object No. 76, Brownsville, Texas, Found 2008



Eyeshadow, Anti-Archive Object No. 136,
Brownsville, Texas, Found 2007



Toy Soldier, Anti-Archive 
Object No. 240, Brownsville, Texas, Found 2008



Detention Center ID Bracelet, Anti-Archive
Object No. 274, Matamoros, Mexico, Found 2009



Woman's Black Shoe, Anti-Archive 
Object No. 307, Brownsville, Texas, Found 2009



Man's Hemmed Shorts, Anti-Archive
Object No. 320, Brownsville, Texas, Found 2010



Woman's Pink Underwear, Anti-Archive 
Object No. 346, Brownsville, Texas, Found 2010



Border Patrol Coffee Cup, Anti-Archive
Object No. 522, Brownsville, Texas, Found 2012

Goggles, Anti-Archive Object No. 502, Laredo,
 Texas, Found 2011



Spanish Language Bible, Anti-Archive Object No. 506,
Hidalgo, Texas found 2013

Congrats to Ana Martinez for her new publication. She includes my work in Chapter 14 Relics, Artifacts, and Bones: Activating Migrancy's Traces Through Performance.

Link to the Book is here. 

https://www.routledge.com/Puppet-and-Spirit-Ritual-Religion-and-Performing-Objects-Volume-II-Contemporary-Branchings-Secular-Benedictions-Activated-Energies-Uncanny-Faiths/Orenstein-Cusack/p/book/9780367713799?srsltid=AfmBOopkns5VJkGs_3s6pRYiU17jbVE2DrfDTwSIE60jfMR14Arcdx5L

..........................

Thanks to Ana for highlighting this important subject.

SHIFTS - 2022

Shifts - A conceptual series of photographic self-portraits thinking about bordering and bodies.

The painting is gouache on old maps I found at a flea market in Italy. I took the maps apart and rearranged them into this borderline.....blue references water for me in this work and the black interrupted line the traditional marking on a map for a border or division of some sort. I have also been thinking recently about "The Commons" and how that historically existed.

Close to Home (November 19, 2024 – March 23, 2025) is a celebration of CAM’s collection featuring works by artists with a connection to our state, our region, and our home. Join us as we explore images of people and places that evoke the varied spirit of our community. Hidden treasures join beloved familiar works in a showcase of artistic voices, a collective search for the meaning of home.

Bridging Borders, July 17, 2023, Spello, Italy

We spoke on the phone and did some planning but Tamara Soldan and I had only one day in person before our performative collaboration to finalize what we were going to do. We gathered voices from friends and colleagues talking about borders in their lives prior to coming together. 

I wanted to know what people thought about borders and what exactly the word border meant to them.

Congrats to the McColl Center in Charlotte, North Carolina. I was so fortunate to have many ties to the McColl Center through a residency, exhibitions, and leading/teaching workshops through the Innovation Institute. It is a place of community, dialogue and a commons for the arts.

Standing Performance (2005-2023)

Standing on a very narrow history of patriarchal art that many of us grew up on. 

This collection of H.W. Janson's "A History of Art" books is the last thing left in my office before I retire. Coincidentally, my office was previously a women’s dorm room at UNC. I used to use these books in a performance designed to deconstruct art history on the first day of my Women and Gender in Contemporary Art Course.

Susan Harbage Page Wednesday, November 8th, at 7 pm EDT on Zoom Join us for a dynamic and exploratory conversation with Susan Harbage Page as she shares more than 15 years of meditations and explorations on the U.S.-Mexican border. As a socially engaged citizen Susan Harbage Page uses a variety of media including photography, performative interventions, sculpture, video, works on paper, and more.

New Exhibition Catalogue out. Published for the exhibition Susan Harbage Page: Embodied Cartography in Terretorial Disputesat Davidson College fall 2022. The exhibition was curated by Director of Davidson College Art Galleries, Lia Newman and includes essays by Ana L.
Contact Info
Contact Info
susanharbagepage@gmail.com
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